Rumours and Recklessness // by Nicole Clarkson

Every once in a while those free Kindle books actually turn out to be nice…

//published 2015//

In this retelling of Pride and Prejudice, Mr. Bennett falls from a horse and is in a coma the day after the Netherfield Ball.  When Mr. Bingley and Mr. Darcy stop by, they are just in time to hear Mr. Collins announce his engagement to Elizabeth – even though he hasn’t consulted her on the subject.  Carried away in the moment, Mr. Darcy jumps in and says this is impossible as Elizabeth is engaged to him.  Although it sounds a bit implausible, Clarkson actually pulls off this scenario quite well.  Throughout the rest of the book, we still deal with all the prejudices of our favorite couple, but now they are in a situation where it is to their best interests to work through their differences together.

I really like variations where, instead of arriving at conclusions apart from each other as they did in the original (after the Hunsford proposal), they actually communicate and talk through things together.  Unequal Affections was another similar scenario, and another of my favorite retellings.  I appreciated that in this version Elizabeth still had plenty of sass, but wasn’t obnoxious.  The other characters stay true to form as well.

This is a clean version, which was also nice – no sneaking off for pre-marital snogging.  While there is tension there, it is presented in a way that didn’t make me embarrassed to read it.

Where the story bogged down a bit was a side strand with Darcy’s cousin Anne.  Lady de Bourgh is a bit over-the-top, and combining her with Caroline seemed a bit strange as well.  While it’s not a terrible way to take the story, it felt a little odd.

Still, all in all this was a pleasant surprise, and one that I recommend to anyone else there who, like myself, is strangely addicted to P&P retellings.

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September Minireviews

So I find that I not-infrequently read books that I just feel rather “meh” about and they don’t seem worth writing an entire post about.  However, since I also use this blog as a sort of book-review diary, I like to at least say something.  So I’ve started a monthly post with minireviews of all those books that just didn’t get more than a few paragraphs of feelings from me.

Recently, life has felt crazy, so I’m attempting to catch up on some reviews…!!!

The Long Goodbye by Raymond Chandler

//published 1953//

This book definitely felt like Chandler had his footing back.  While it wasn’t quite as hilarious as the first couple of books, it was way better than The Little Sisterwhich was downright depressing.  In this book, a lot of Marlowe’s snarky narration is back, and there was a nice trick to the mystery.  It did at times feel like everyone was a bit too casual with the body count, but you’ll have that.

Kiss the Bride by Melissa McClone, Robin Lee Hatcher, and Kathryn Springer

//published 2016//

These three novellas were basically all very average.  Each one had some niggling thing that really aggravated me, but overall worked alright.  On the whole they were just pretty forgettable.

Playback by Raymond Chandler

//published 1958//

This is the final Phillip Marlowe book that Chandler wrote (although he left another incomplete at the time of his death – more on that to come), and fell more along the lines of the earlier couple of books, with a lot of snark and dry humor.  The mystery had a good tempo to start and I was completely engaged as Marlowe is hired to follow a mysterious woman.  However, this story had 100% more sex than the other books – in other books it’s either been bypassed (woman always seem to want Marlowe more than he wants them) or glossed over, but in this one it felt like Marlowe was having sex every couple of chapters, and it happened with at least three different women.  So that felt really weird, and through it all he keeps quietly pining for this woman he met in The Long Goodbye.  In the end, the mystery sort of fizzled out, and Marlowe suddenly gets back together with The Long Goodbye woman.  All in all, another 3/5 for an interesting read, but not one I’d visit again.

An Unlikely Duet by Lelia M. Silver

This one is a DNF at around halfway, just because it’s become so boring.  I really liked the idea of just a straightforward sequel to Pride & Prejudice that focuses on Georgiana.  The story starts well, with her meeting a charming young man while visiting Charles and Jane Bingley.  However, despite the fact that they talk all the time, the two never really seem to talk.  At one point, it seemed to me that he had stated his intentions to court Georgiana pretty clearly to her brother, but then there are misunderstandings and everyone is spirited away and they never get to talk……. the book just never really engaged me and since I haven’t picked it up in a least three weeks, I don’t think it is ever going to.

Poodle Springs by Raymond Chandler and Robert B. Parker

//published 1989//

When Chandler died, he left four chapters written of his next Marlowe book.  In 1989, thirty years after Chandler’s death, Poodle Springs was finished by Robert Parker.  Overall, I thought that Parker did a decent job with this book, capturing the essence of Marlowe’s narrative voice and keeping the mystery nice and twisty.  The biggest difference to me was that in Chandler’s books, Marlowe is always one step ahead.  He may get caught and beaten up, but he still knows what’s what – he may appear to be wandering aimlessly, but in the end we find out exactly what he was up to.  But in Poodle Springs, it kind of felt Marlowe really was wandering aimlessly, always a few steps behind what’s going on.  In multiple places he says things like, ‘I wish I knew what was going on; none of this makes any sense.’  So Marlowe felt a lot more like a stooge than an intelligent investigator.

I enjoyed the book, even if I felt like the conclusion to Marlowe’s romance was quite weird and, frankly, illogical (‘We love each other too much to get married’???), and it ranked a solid 3/5 for me.

All in all, I’ve enjoyed my foray into the gritty detective world, but if I ever come back to these books, it will only be to the first four.  They were funnier and more engaging than the second half of the series.

August Minireviews – Part 2

So I find that I not-infrequently read books that I just feel rather “meh” about and they don’t seem worth writing an entire post about.  However, since I also use this blog as a sort of book-review diary, I like to at least say something.  So I’ve started a monthly post with minireviews of all those books that just didn’t get more than a few paragraphs of feelings from me.

I’ve had a lot of meh reading going on, plus a minimal desire for blogging, so this actually the second round of minireviews this month.  Part 1 can be found here.

The Little Sister by Raymond Chandler

//published 1949//

After really enjoying the first few books starring the gritty Californian private investigator Phillip Marlowe, The Little Sister was a bit of a disappointment.  While I was still give it a 3/5 for having a decent mystery, the overall story really lacked the wit and tongue-and-cheek-ness of the earlier books.  Instead, Marlowe is completely disillusioned with…  well, everything, it seems.  It’s a sort of midlife crisis kind of book, and doesn’t really make for uplifting reading.  I struggled to get through it, as it also seemed to lack some of cohesiveness of the earlier books.  It made me give up on these books for a while, but I think I’m about ready to pick up The Long Goodbye and give Chandler another try.

PS Reading the introduction to this book, the introducer stated that The Little Sister was the only one of his books that Chandler never read again – apparently he disliked it as well, and was writing it during a dark time when his wife was dying, so that all makes sense in a very sad sort of way.

The Whisky Wedding by Elizabeth Ann West

//published 2016//

I got this Pride and Prejudice variation for free, which was really the only good thing about it.  It starts with a decent premise – the Bennets receive word of Lydia’s elopement before Elizabeth and the Gardiners leave on their journey.  However, I was already a little leery of the tale when Mr. Bennet, Mr. Gardiner, and Jane go to London while Elizabeth, Mrs. Gardiner, and all the Gardiner children (??!!) head north on the road to Scotland.  Despite the incredibly impracticality of this, I was willing to let it slide for the setting up of the story… except that was only the first in a long litany of absolutely ridiculous actions, including Darcy and Elizabeth eloping while Elizabeth is drunk, Mrs. Gardiner abandoning Elizabeth in Scotland and returning to London by herself, Elizabeth running off with no one but a footman for company, Jane wandering around London by herself looking for Lydia, and Mr. Bennet shrugging his shoulders because Oh well Lydia is a whore now, nothing we can do about it, guess I’ll just read a book.

In between, conversations were nonsensical, characters didn’t remotely resemble their originals, and no one was particularly likable.  Mr. Bennet was ridiculously uncaring (while lazy and selfish, I never get the impression that Mr. B would willingly just stop looking for his daughter after one day of halfhearted searching).  Mr. Bingley was portrayed as a pathetic, whimpering puppy, which always annoys me – yes, in the original he was swayed by his friend, but the arguments that kept him from returning to Jane were Darcy’s reassurances that (1) Jane didn’t actually care for Bingley and (2) that Jane’s mother would force her into a marriage with Bingley regardless of Jane’s feelings.  Thus, Bingley’s non-return to Jane wasn’t completely due to a weak spirit, but also due a misguided attempt to do what was best for Jane.  But in this version he is a completely pathetic wuss, and Jane is instead won over by the manly spirit of Colonel Fitzwilliam.

Point being, I slogged through this for over half the book and then realized that I was just being bored out of my mind (because yes, on top of everything else, it was SO so boring), so this book ended up as a DNF at 67%, with my only regret being that I waited that long.

Mail-Order Bride by Debbie Macomber

//published 1987//

Something quite strange is the fact that The Whisky Wedding isn’t the only book I’ve read lately that involved a drunk bride!  I was trapped at the doctor’s office once day and finished my current book.  This Macomber book was a freebie I had picked up recently, and since I really enjoy the trope of marriage first and then love, I knew I had to at least give it a try.  Despite the fact that Macomber is incredibly prolific, I actually don’t particularly remember reading any of her books, although I probably have at some point.  This is one of her earliest books, recently released as an ebook for the first time.

Unfortunately, the story just wasn’t that great.  The trope itself was done well – the events leading up to the  marriage are completely believable and I was pretty pleased that the story was actually going to be plausible.  Carolyn’s aunts give her a trip to Alaska to help Carolyn recover from the breakup with her fiancee… except that they’ve actually answered an ad for a bride, placed by Paul who lives in a remote Alaskan village but yearns for companionship and a family.  Of course, Carolyn is upset when she finds out that she’s married to Paul (the drunk thing is actually done in a way that is mostly believable), but it felt like Macomber just cut a big chunk right out of the middle of this book, as we go from Carolyn being angry and trying to escape to Carolyn being desperately in love with Paul and super jealous of his past.  There never felt like there was a time where they were just becoming friends and learning about each other’s pasts.

I really wanted to like this book, but in the end it was just another 3/5 meh read with a decent set-up followed by a pretty sloppy plot.  I’m sure I’ll end up reading another of Macomber’s books one of these days, but Mail-Order Bride didn’t really inspire me to hunt any up.

Mind Your Manors by Lucy Lethbridge

(British title: Spit and Polish)

//published 2016//

I think the problem I had with this book was that I was a bit misled by the synopsis, which says, “Lethbridge reveals these old-fashioned and almost-forgotten techniques that made British households sparkle before the use of complicated contraptions and a spray for every surface. A treasury of advice from servants’ memoirs and housekeeping guides…”  Going in, I think I just thought that this would be somewhat of a reference book, when in fact it is more of just a book full of little tidbits that were interesting, but not necessarily for practical application.  (The ‘practical application’ part was basically ‘use vinegar and baking soda!’)

So while I did enjoy this book and find it interesting, it was much shorter and less practical than I anticipated.  I also couldn’t help but roll my eyes at the American edition, which not only changed the title, but even the subtitle from ‘Old-Fashioned Ways to Banish Dirt, Dust and Decay’ to ‘Tried-and-True British Household Cleaning Tips’ because apparently Americans didn’t clean things the same way as British servants, so we need to clarify that these are going to be British tips, not American tips!  Why, publishers, WHY?!

Overall, while this book was a pleasant read, I didn’t feel any need to add it to my personal reference library.

A Tapestry of Lives // by Jean Sims

//published 2014, 2015//

This is a Pride & Prejudice retelling published in three volumes, and the three volume bit is probably my biggest beef with this story, as it was obviously only done in order to milk more money out of the story, as it could easily have been condensed to two volumes, or one long story… anyway.

Overall, I actually really enjoyed this story.  Volume One begins with Elizabeth at home just after her trip to Hunsford.  In this story, when Elizabeth goes to her father and asks him to not let Lydia go to Brighton, her father initially blows her off, like he does in the original, but then begins to wonder if she has a point.  He goes to find Elizabeth in the garden, and they discuss not only Lydia, but also Mr. Darcy’s letter, which Elizabeth lets him read.  This sets the groundwork for a few changes around the Bennett homestead.  Next, when the Gardiners postpone their trip to the Lakes, it’s because Mrs. Gardiner is pregnant, so Elizabeth goes to London to help around the house.  There, she runs back into Mr. Darcy again, and their relationship begins to develop from that point forward.

I really enjoyed the characterizations in this version.  No one was wildly evil or ridiculously perfect.  While people like Lady Catherine and Miss Bingley were pretty obnoxious, it still felt within the realm of plausibility.  Both Darcy and Elizabeth were well-drawn characters who changed and grew throughout the story.  I also really appreciated how Sims made some of the other characters more sympathetic – while Mrs. Bennett is no less obnoxious (most of the time), there is some definite understanding of her genuine and not-unreasonable terror as to what might happen to her and her daughters should Mr. Bennett die unexpectedly.  I especially liked how it is Darcy who really comes to realize this, because it makes his patience with his future mother-in-law feel more natural, and adds to Darcy’s depth as he begins to realize how casually he has accepted a lot of ‘the way things are’ type of things without really thinking about them.

The overall helplessness/dependence of women at the time is touched on throughout the story in a way that felt organic to the story rather than polemic, and also fit with the overall thoughts of the times – at this point, women like Elizabeth are really just interested in being viewed as fully intelligent human beings who are capable of making decisions about their own futures, not running the government and owning businesses.  I also liked how while some of the men in the story take evil advantage over the women in their lives, many of them, like Darcy, have been taught the importance of protecting/shielding/providing for their women, and believe that the decisions they are making are for the best for them – and, in truth, there were a lot of women, like Mrs. Bennett, who could really use some taking care of!

The ‘tapestry’ bit of the story involves Sims going off onto long and tangled tangents telling the backstories of basically all of the characters – Lady Catherine, Mr. Bennett, the Gardiners, the Earl of Matlock, you name it.  I had mixed feelings about these stories.  Overall I liked them and felt like they did add to the main thrust of the tale, but sometimes they weren’t woven in very well, and it was a little unclear when the narrative was shifting from the past to the present.  Sims also has a habit of telling about a few days from, say, Elizabeth’s perspective, and then switching and telling us what someone else, like Darcy, was doing during the same time period, but again it isn’t always clear when the overlap is occurring and when the story is actually progressing beyond that time frame, so at times it got a little confusing.  But on the whole I felt like these backstories and multiple layers for the same time periods really did add a lot of depth to the story and its characters.

Volume One is from just after Hunsford through Darcy’s more successful proposal; Volume Two spans their engagement; and Volume Three follows the early days of wedding bliss.  The third volume was definitely the weakest.  Too many stories had already been mostly concluded in Volume Two, so Volume Three felt a lot clunkier and was less interesting.  It was also the volume with the most villainy, with a couple of evil viscounts wrecking havoc (completely separate from each other) in a way that didn’t really fit into the rest of the story.  The ending involved a very long and drawn out bit with Mrs. Bennett dying that meant that this whole big long story kind of ended on a downer note.  I’m also never a fan of really long epilogues that try to fill in lots of details about the rest of everyone’s lives, so that bit was also pretty boring to me.  Overall, I felt like the story could have ended about a quarter of the way through Volume Three and been much better.

There were other things that annoyed me, and a few threads that never really seemed to go anywhere (e.g. Mrs. Hill’s illegitimate son), but on the whole this was a well-written and engaging P&P variation that I quite enjoyed, and may even read again sometime.  4/5 and recommended if you actually enjoy crazy P&P retellings.  ;-)

The Girl from Summer Hill // by Jude Deveraux

//published 2016//

I initially added this book to the list as a contemporary Pride & Prejudice retelling, albeit a loose one.  Basic concept – Casey ends up playing Elizabeth in a local theater production of P&P, except her relationship with the guy playing Darcy is a lot like the one the original characters had.  I really liked the way that the chapter titles were listed as though they were part of a play (Act One, Scene Two), and reflected the fictional/P&P names of the characters (“Elizabeth Doesn’t Tempt Darcy”), even though their actual names weren’t anything like Elizabeth or Darcy.  I also appreciated that the characters were no unaware of how ridiculous it was that their lives were somewhat paralleling the original P&P story.

Actually, there were a lot of things to like about this book to start.  The characters were funny and friendly, the conversations pleasant, and there was a decent concept underneath of it all.  But in the end, I was just so frustrated with the incredibly choppiness of the story and the way the author kind of acted like we should already know a lot about these people.  For instance, Casey is staying in a house that was loaned to her by Kit, who is also directing the play – but we’re given no information about Kit or his relationship with Casey, which meant I was really confused when Kit immediately was interested in an older lady; at first I assumed that Kit must be close to Casey’s age, but it turns out that he’s a lot older than her – more of an uncle/father figure.

There was also this extremely weird thing where a bunch of the characters were half-siblings because their biological father was actually a sperm donor … but there is no explanation as to how all of these siblings actually found/met each other, and Casey’s relationship with her father is really ambiguous – like, are they friends?  It just made no sense and was never really explained.

I wondered for a while if some of these characters were in other of Deveraux’s books, because she has written a lot, but I couldn’t find any information supporting that; supposedly this book is the first in a new series.

There were a lot of random things that nagged at me.  It felt like who parts of this book had just been chopped out with no attempt to smooth the rough edges.  Consequently, everyone falling in love with everyone felt very sudden and kind of strange – especially when we jumped straight into snogging/sex.

And hello??  They get caught in the rain on the back of the estate and have to take shelter in this old shed where Darcy’s mum used to hang out when she was little and the blankets and pillows are still there from when it was her secret hideout literally 20 years or more ago – and that’s where they shag!?  All I could think was GROSS.  There is no way that those cushions weren’t full of all sorts of unsavory insects and rodents.  ICK.  This book was full of completely impractical stuff like that; there was absolutely no attempt to make any of this remotely realistic or believable.

Still, I was still fairly confident that this book was going to get a 3/5 for a decent effort (albeit with a lot of eye rolling) until it completely went off the rails at the end.  This is a BIG SPOILER (I mean, sort of… it’s not like we don’t know who the villain is from the very beginning, and since we all know the basic concept of P&P it’s not really a big surprise when “Wickham” absconds with “Lydia”…) but yeah so the Wickham character convinces Lydia to run away with him.  Lydia has told everyone she is 18, but it turns out that she’s actually only 15, just like Book Lydia, so it’s a big deal that he has run away with a minor, but instead of chasing after him, they come up with this convoluted plot to lure him back by presenting the upcoming play as a contest of acting ability between Wickham and Darcy.  (???!!!??!?!)  Despite the fact that Wickham has been portrayed as complete cad who will do whatever he can to satisfy his own selfish whims and has been known to accost/sexually harass/rape women in the past, no one seems overly concerned that he’s disappeared with a fifteen-year-old girl.  I mean, they’re upset, but I don’t think that “luring him back” is really the kind of option that law enforcement would agree to (or at least I hope not!  Good grief!).

So yes, the most ridiculous part is – it worked!  He just comes back with Lydia in tow!  And goes right to the theater to start acting in the play!  AND THEN instead of arresting him immediately, they convince the police that they should let the play go on because it’s for charity!?  Not only that – Lydia still plays her part!  No one bothers to, I don’t know, find out if she’s been raped?!  What!?

And then we get this write-up of the play, praising how “realistic” everyone was, etc., and it’s supposed to be this big thing where everyone acted so passionately… except then it concludes with the way the play will be running multiple times and people should go see it… and to myself I’m thinking… Except Wickham is gone and the play isn’t going to be that great because it will completely lack the emotional charge of that opening night…???

So yes, a 2/5 in the end.  The whole thing with Wickham taking off with a young girl really bothered me (she didn’t actually get raped, by the way; she convinced Wickham that she was on her period, which apparently was enough to keep him away….  surrre it would be), especially when nobody acted like it was a big deal and that obviously Lydia was fine and would be able to do the play just like regular.  Combined with the overall choppiness, the lack of character background/connections, and the complete disconnect from any kind of reality, this book didn’t leave me with any desire to seek out more of Deveraux’s works.

#17 for #20BooksofSummer!

The Companion’s Secret // by Linda Thompson

//published 2015//

This Pride & Prejudice variation started with a lot of excitement, but ended up being just really bland.

Thompson ruthlessly kills off Elizabeth’s entire family (except for Jane, who visiting the Gardiners) in a terrible carriage accident in the first chapter.  Immediately, the heir to Longbourn shows up, except in this variation it isn’t the Mr. Collins we know, but that Mr. Collins’s father, who is a pretty terrible person.  The reader is not surprised to learn that he probably had a hand in creating the carriage accident.  He’s super creepy and everyone hates him, including his own son who doesn’t really like any of his dad’s plans but since his dad has always beaten him up when he disagrees, he pretty just goes along with everything.

Anyway, Mr. C Sr. wants Mr. C Jr. to marry Elizabeth.  Since she isn’t really into that idea, Sr. decides that Jr. will have to compromise her.  Elizabeth overhears them talking and discovers that she is supposed to receive an inheritance from her great aunt when she reaches her majority the following spring, which is what this is all about.  She also hears about the whole planned compromise thing, and then listens as Sr. laughs evilly whilst plotting her ultimate demise after he gets his hands on the inheritance.  Fearing for her life, she flees Longbourn in disguise, aided by the servants who all love her.  She coincidentally meets up with the Darcys at an inn, and what with one thing and another is hired as Georgiana’s companion.

While I didn’t dislike this variation, there was just no character development.  Elizabeth is absolutely perfect – kind, loving, thoughtful, generous, etc.  Darcy is also perfect – kind, loving, thoughtful, generous, etc.  Georgiana is quietly perfect – kind, loving, thoughtful, generous, etc.  Guess who else is perfect?  Jane, Mr. Bingley, the Gardiners, all of the servants at Longbourn, Darcy’s entire family except for Lady Catherine, a random dressmaker in Lambton, and even Elizabeth’s horse.  Since all the good guys were already perfect, there wasn’t really any room for them to learn or grow.  The bad guys were all super bad (in this version, Collins Sr., Wickham, Miss Bingley, and Lady Catherine), so they didn’t really learn or grow either – they just got punished.

Thompson did a decent job making things seem plausible, even hiring Elizabeth at a random inn.  She stretches credulity but I still could get behind it.  I mean, who wouldn’t hire an angel if they stumbled across them?  And that’s basically Elizabeth’s character in this book.

The last 20% of the book was completely superfluous.  All of the main storylines are resolved, and Darcy and Elizabeth get married.  Except then all of the sudden we have this weird last bit where Lady Catherine shows up and causes trouble, but it felt really awkward, like this part was literally there just to make the story longer.  There were also some minor editing issues; the main one that aggravated me was that the author couldn’t seem to decide whether Bingley’s aunt in Yorkshire was named Agnes or Agatha.

All in all, a 3/5 for a story that wasn’t terrible, just very, very bland.

July Minireviews – Part 1

So I find that I not-infrequently read books that I just feel rather “meh” about and they don’t seem worth writing an entire post about.  However, since I also use this blog as a sort of book-review diary, I like to at least say something.  So I’ve started a monthly post with minireviews of all those books that just didn’t get more than a few paragraphs of feelings from me.

Sprig Muslin by Georgette Heyer

//published 1956//

Actually, I felt more than “meh” about this book – it was a delight, and an easy 4/5.  However, what can one say about Heyer’s work that hasn’t already been said?  The characters were lively and clever, the adventure took many hilarious twists, and there happy endings handed out all around.  Heyer is always so relaxing and pleasant – never any niggling doubts as to whether or not everything will end with sunshine and rainbows.  I really loved everyone in this book, and it had me snorting with laughter on more than one occasion.  It felt like the ending was a bit rushed/it would have been nice to see a little bit more of a love story between Gareth and Hester, but all in all this story was just super adorable and happy.

Also, it was #10 for #20BooksofSummer!

Sunlight & Shadow by Cameron Dokey

//published 2004//

I really liked Dokey’s fairy tale retellings (this is the third I’ve read).  This story moved right along.  It was a little weird because Dokey used five first-person perspectives, and never told us who we were jumping to next, you just kind of had to read a few sentences and figure it out.  This felt weird at first, but once I got into the groove, it worked completely.  The voices were actually really, really similar, though, so it was mostly the actual circumstances that indicated who was doing the talking.

In her afterword, Dokey said that this book was actually inspired by the story from one of Mozart’s operas, which I found entertaining.  It has a very mythological flavor, since the main character (Mina) is the daughter of the Queen of Night and the Mage of Day.  The story is not just about Mina finding true love (which of course she does), but about the balance between light and darkness.  As always, Dokey has a slim thread of thoughtfulness running throughout a story that appears to be all fluff and lightheartedness, leaving me thinking about it a bit after I’ve finished.

An easy 3.5/5 and a very pleasant read, as well as being #12 for #20BooksofSummer!

Unwilling by Elizabeth Adams

In this Pride & Prejudice variation, shortly after the Netherfield Ball, Mr. Bennett finds out that he doesn’t have much longer to live.  He regrets wasting time and money, and decides to do the best that he can to make up for it.  He makes a bunch of rules for the girls, including sending Lydia back to the schoolroom, and gives them actual lessons to do, which feels a little bit weird since Jane and Elizabeth are in their 20’s.  Mr. Bennett is also determined that if any eligible suitors come asking, he will marry the girls off, as long as it doesn’t seem like the guy is a total jerk.  So at Hunsford, Mr. Darcy asks Mr. Bennett for Elizabeth’s hand in marriage, and Mr. Bennett says yes.

All in all, this was actually a really pleasant P&P variation.  It was definitely PG13 – a lot of innuendo and discussions, but nothing explicit.  It was also quite refreshing that there were no ridiculous villains.  However, it did feel like only Elizabeth was doing the changing.  In the original, both Darcy and Elizabeth realize their shortcomings, but in this version, Darcy didn’t really seem to have any.  Towards the end, he is really insulting towards the Gardiners when he meets them for the first time.  Elizabeth takes him to task and Darcy apologizes, but he never interacts with them again in the story, so it didn’t necessarily come through that he really felt remorseful about the situation.

Still, a pleasant story and an easy way to spend an afternoon.  3.5/5.

The Making of a Marchioness by Frances Hodgson Burnett

//published 1901//

Burnett is another one of those authors whose two most famous books – The Secret Garden and A Little Princess – were childhood favorites (that I still love today), but somehow I’ve never really checked to see if she wrote anything else.  So I added The Making of a Marchioness, along with its sequel, The Methods of Lady Walderhurst to my 20 Books of Summer list.

This was a pleasant read, but was almost like an outline of a book rather than a full-length story.  It’s only around 180 pages with large print, so more of a novella.  Still, the main character, Emily, was rather adorable, even though she was almost absurdly nice.  Through a series of events she gets invited to a country house party (mainly so she can do a bunch of errands for the hostess) and ends up marrying the most eligible bachelor there.

However, there really isn’t much of a love story.  Walderhurst admires her from afar, but during his proposal, he says that he “must marry, and I like you better than any woman I have ever known.  … I am a selfish man, and I want an unselfish woman.”  It doesn’t seem particularly romantic that he’s marrying her because she won’t make very many demands on his time or purse, but overall he seems like a fine fellow, so I actually did end the book believing that they would deal well together.  A 3/5 and I am intrigued to read the sequel.  Also, #15 for #20BooksofSummer!