The Jackaby Quartet // by William Ritter

//published 2017//

So in August the fourth (and final, as far as I can tell) Jackaby book hit the shelves.  Having thoroughly enjoyed the first three books, I was eager to reread them and then get the grand finale.  So this is mostly going to be a review of The Dire King, with some thoughts about the series as a whole.  The links go back to earlier reviews of the series (not this time around).  When reviewing the final book of a series, it’s virtually impossible to avoid some spoilers, so the brief review is: 3/5 for Dire King and 4/5 for the series as a whole.  I personally didn’t like the way a bunch of things concluded in Dire King, but that’s kind of a matter of personal opinion, as it technically worked.  But in the end I was left with a lot more questions than answers, and felt like the plotting in the final book was rather sloppy, like Ritter was hoping that as long as there was enough action, the readers wouldn’t notice gaping holes in the logic.

I really wish that Ritter had stuck with episodic stories for this series.  I still think the first book was the best of the bunch, and it was because it was a self-contained story.  The further into The Grand Scheme that Ritter got, the sloppier the stories got, and the more it felt like he was only really interested in getting us to the final book.  The Grand Scheme got really involved and complicated, while the concept of just writing paranormal mysteries with these characters would have been fantastic.

More thoughts below with mild spoilers…

I really enjoyed reading back through the three earlier books, and actually liked Ghostly Echoes better the second time around when I already had an idea of where things were going.  (Maybe I’ll like The Dire King better if I reread it??)  These books are just plain fun.  The dialogue is hilarious, and Jackaby and Abigail are a brilliant combination of characters.  There’s still a bit too much modern SJW talk, with women’s rights being handled in a very heavy-handed way, and the whole transgender thing in Ghostly Echoes that makes absolutely no sense within the context of the story and is quite obviously being inserted to show us how open-minded Ritter is.  But I’m willing to overlook these types of things as long as the rest of the story holds up, and for the most part it does.

However, the further into the series we go, the more Ritter starts to build what I think of as The Grand Scheme.  Many series – in fact, most – do this, but for me it only works if the small schemes aren’t sacrificed in the process.  Each book should still be able to stand as a solid and engaging story on its own, and while it’s okay to have teasers leading into the next book/The Grand Scheme, it can be frustrating when it feels like I only got part of a story (I’m looking at you, Robin McKinley’s Pegasus).  Ritter doesn’t quite do this, but he’s close, which is probably another reason that I enjoyed Ghostly Echoes more the second time around – it wasn’t as annoying of an ending when I had the final book right in front of me!

The thing is, it just started to feel like Ritter had bitten off more than he could chew with his Grand Scheme.  All of a sudden we’re jumping in and out of fairy land and the land of the dead and we’ve got conflicting kingdoms and factions and all kinds of critters running around and it’s not really clear who is on which side and even if there are sides and there is this whole thing that’s going to apparently blow up the Veil that separates the physical world from the fairy world and there is this guy who can make zombies kinda and this little furry critter that gives cryptic advice and no one knows or really seems to care whose side he is on and then all of a sudden this one character who was kind of a minor character turns out to be the one who betrays everyone except when did she even meet the bad guy??  Like it felt extremely weird and was never explained how she even did what she did or why so her motivation makes literally zero sense and then in the end everyone apparently is just like Oh, okay, and they all go home??!?  And what happened with the zombie guy?  And apparently there was some guy who has been keeping the Veil safe for like hundreds of years and could live that long because he was wearing this magical gem but then he… took it off??  And died?? And the whole Veil started to collapse??  So why did he take it off??

Basically, the whole book made me kind of dizzy.  Things were happening very quickly and strangely without any genuine explanations, and instead of there being this big epilogue that made everything make sense, there was an ending that I found to be VERY STRANGE and did not like AT ALL.  The ending itself dropped the entire book a half star for me, like I could not get behind it at all.

So The Dire King was a bit of a letdown for me.  It had its moments, but just didn’t pull things together the way I had anticipated.  This series could have been a lot more fun and entertaining if Ritter had stuck with smaller stories that tied together instead of attempting to pull of a very complicated and involved Grand Scheme that just didn’t end up making a whole lot of sense.  I still recommend the series as a whole, and definitely will be rereading it sometime in the future – and maybe will enjoy The Dire King more when I have a sense of where it’s headed.  And I’ll be keeping an eye on Ritter to see what he decides to write next.

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Blind Spot // by Dani Pettrey

Chesapeake Valor #3

I received this book from Bethany House, which does not impact my review.

//published 2017//

Back in the spring, I received Still Life from BH and reviewed it; before I read that one I went ahead and read the first book, Cold Shot.  I would definitely recommend reading these books as a series, as I think they would be a bit confusing as standalones.  They focus on the same group of friends, and their relationships build and evolve throughout the series.  I actually went back and reread Still Life before jumping into Blind Spot, just to get myself back up to speed.

Overall, I like these books and am comfortable with the 3.5/5 rating I have given them all, including this one.  They are decent mysteries with an engaging group of characters, but really lack a solid focus within the story.

Throughout the second book, I found myself irritated as the main mystery was actually quite intriguing – but Pettrey kept veering off into this entirely unrelated mystery with these people who were smuggling terrorists.  In Blind Spot, the terrorist plot becomes the main one, but this time she kept flipping to yet another completely unrelated mystery about this guy who gets murdered.  The secondary mystery in both cases comes across as filler/padding/a way to keep other characters busy and involved, and the primary mystery suffers because of it.  Switching to the secondary plot throws off the pacing of the primary, and consistently feels like we are just killing time.  I really, really wish that Pettrey would just focus on the primary mystery, because in both books this could have been filled out and made a lot more intense.

In this book, there was also this weird situation where a guy gets murdered while a bunch of the characters on a retreat.  There is a possibility that instead of murder, it’s actually suicide and the dead guy killed other people before killing himself.  Yet despite the fact that all the main characters of the book knew this dead guy really well, and despite the fact that he may be a murderer, they are all allowed to process the crime scene??  This felt completely unrealistic (since they would have a strong motive for contaminating the crime scene to make sure the dead guy doesn’t get blamed for murder), and it’s weird details like that that throw off the overall groove of the story.

Even though I’ve been griping about it, I really did enjoy reading this book.  I like all of the characters and have enjoyed watching them come together.  Throughout the first two books, we find out bits and pieces about another good friend of theirs who disappeared several years earlier.  This whole plot comes back into play in Blind Spot, and left me really intrigued to find out how things are going to wrap up in the end.

I’m looking forward to reading the fourth book when it appears, and still intend to eventually check out some of Pettrey’s other books as well.

October Minireviews // Part 2

In an attempt to get you all caught up on all the reading I’ve done this month, I’m cramming all of my reviews into minireviews…

Thirty Days to Thirty by Courtney Psak

//published 2015//

This was a freebie Kindle book that sounded fun.  Jill, aged 29, is confident that her life is going the right direction.  On the verge of becoming a partner in the law firm where she’s been working, and confident that her live-in boyfriend is going to propose any minute, Jill considers her life ‘together.’  Unfortunately, instead of getting promoted, she gets fired.  And when she comes home early, she finds out that her boyfriend is actually having an affair.  So Jill moves back home to the small town where she grew up, back into her old bedroom at her parents’ house.  There, she comes across a list she wrote in high school of 30 items she wanted to have done by the time she was 30 years old – and she has only done a couple of them.  With the help of her long-time best friend and high school boyfriend, Jill starts getting things done on her list, and of course discovers who she truly is and true happiness along the way.

I was hoping for just a kind of happy little chick lit sort of vibe, but this book was just too ridiculous and poorly written to deliver even that.  The whole thing is first person present tense, so that was already quite aggravating, and the further into the book I got, the worse the story was.  Jill doesn’t read as 29-year-old at all, as she was just so immature and ridiculous at times.  There were really stupid scenes, like her walking in on her parents “doing it” and then I had to go through like an entire chapter of her being “so grossed out” – like yes, that’s extremely uncomfortable, but you’re an adult now, so I really feel like you should be able to move on – like how exactly do you think you arrived in the world….???

But the worst part was that one of things on Jill’s list was something along the lines of “learn to live without a boyfriend” or something like that – and it’s the one thing she never does!  She realizes how she was depending on her old boyfriend so much that she never really was herself, but she launches straight into a relationship with her old high school boyfriend.  So even though I liked that guy just fine, I was never able to really get behind their romance because at the end of the day Jill still just felt like she “needed” a man to live her life.  So 2/5 for being boring, pointless, and having an overall rather negative life message.

Lion of Liberty: Patrick Henry and the Call to a New Nation by Harlow Giles Unger

//published 2010//

When I read a children’s biography of Patrick Henry a while back, I was really inspired to learn more about this particular founding father.  And while Lion of Liberty was interesting and had some more information about Henry, I overall felt more like I was reading a condensed history of the American Revolution/founding of Constitution, with a side focus on Henry rather than the other way around.  There is only one brief chapter on the first 24 years of Henry’s life, and throughout the rest of the book we are only given pieces of Henry’s personal life in very brief (and sometimes weirdly snide) asides.  Rather than making Henry more personable and accessible, Unger gives us a picture of a man’s accomplishments rather than the man himself.

In a weird way, I realized about halfway through the book that it just didn’t feel like Unger really liked Henry.  I felt rather like he was rolling his eyes at many of Henry’s dramatic speeches, and some of his comments about Henry’s personal life came across as downright uncomfortable.  E.g. – “…from then on, whenever Henry returned home he made certain that if his wife was not already pregnant from his last visit, she most certainly would be by the time he left.”   ???

Still, there was enough of Henry in this book to remind me why he was one of my childhood favorites.  His passion not just for freedom from Britain, but from big government in general, his love for everyday people and preserving their independence, his emphasis on the critical importance of strengthening small, localized governments – these are all themes that still resonate with me today.  I especially loved Henry’s passion for the Bill of Rights, and his strong stance against the Constitution without them.  Even more interesting is to see how so much of what Henry predicted has happened – in events that lead to the Civil War, and again today, with an ever-closing noose of interference and heavy taxation from a centralized government ever-distanced from the people it claims to serve.

For Lion, 3/5.  A decent read for the political overview of Henry, but I would still like to get a hold of a biography that focuses more on him as a person and less on him as a founding father, and preferably without the snide remarks about how much Henry liked his wife.

Indian Paint by Glenn Blach 

//published 1942//

In my effort to read/reread all the books I physically  own (and there are a lot), Indian Paint was next on the draw.  One of the Famous Horse Story series, this was a simple yet engaging tale of a young American Indian boy and the colt he has chosen for his own.  This wasn’t really a book that bowled me over with its intricate plotting, but I was surprised at how interested I became in the fate of Little Falcon and Shadow, especially since the fates seemed quite determined to keep them apart.  While there were points that were a bit overly dramatic, the story held together well and came to a satisfactory conclusion.  I have several of Balch’s books still on the shelf and am looking forward to tackling them at some point as well.

The Girl on the Train by Paul Hawkins

//published 2015//

So this is one of those books that I had heard SO much about that I actually braced myself for disappointment.  In the end, I was close to a 4/5, as it was a compulsively readable book that drew me in almost immediately.  I appreciated the fact that while Rachel wasn’t a reliable narrator, she was still likable.  I felt like the book was paced quite well.  Frequently, books that rely on date/time headings to let the reader know where we are quite annoy me, but it worked well in this instance, and I liked the way that we got the backstory from one narrator and the present story with another.  The ending came together well, leaving me overall satisfied.  While I didn’t find this to be an instantaneous classic that I would want to read again and again, I can still see why it has been a popular thriller since it was published.

I have read reviews of this book on multiple blogs that I follow (with a variety of views from “THIS WAS AMAZING!” to “eh”), including Reading, Writing & Riesling; The Literary Sisters; Rose Reads Novels; Chrissi Reads; Cleopatra Loves BooksBibliobeth; and probably others I’ve missed!

September Minireviews

So I find that I not-infrequently read books that I just feel rather “meh” about and they don’t seem worth writing an entire post about.  However, since I also use this blog as a sort of book-review diary, I like to at least say something.  So I’ve started a monthly post with minireviews of all those books that just didn’t get more than a few paragraphs of feelings from me.

Recently, life has felt crazy, so I’m attempting to catch up on some reviews…!!!

The Long Goodbye by Raymond Chandler

//published 1953//

This book definitely felt like Chandler had his footing back.  While it wasn’t quite as hilarious as the first couple of books, it was way better than The Little Sisterwhich was downright depressing.  In this book, a lot of Marlowe’s snarky narration is back, and there was a nice trick to the mystery.  It did at times feel like everyone was a bit too casual with the body count, but you’ll have that.

Kiss the Bride by Melissa McClone, Robin Lee Hatcher, and Kathryn Springer

//published 2016//

These three novellas were basically all very average.  Each one had some niggling thing that really aggravated me, but overall worked alright.  On the whole they were just pretty forgettable.

Playback by Raymond Chandler

//published 1958//

This is the final Phillip Marlowe book that Chandler wrote (although he left another incomplete at the time of his death – more on that to come), and fell more along the lines of the earlier couple of books, with a lot of snark and dry humor.  The mystery had a good tempo to start and I was completely engaged as Marlowe is hired to follow a mysterious woman.  However, this story had 100% more sex than the other books – in other books it’s either been bypassed (woman always seem to want Marlowe more than he wants them) or glossed over, but in this one it felt like Marlowe was having sex every couple of chapters, and it happened with at least three different women.  So that felt really weird, and through it all he keeps quietly pining for this woman he met in The Long Goodbye.  In the end, the mystery sort of fizzled out, and Marlowe suddenly gets back together with The Long Goodbye woman.  All in all, another 3/5 for an interesting read, but not one I’d visit again.

An Unlikely Duet by Lelia M. Silver

This one is a DNF at around halfway, just because it’s become so boring.  I really liked the idea of just a straightforward sequel to Pride & Prejudice that focuses on Georgiana.  The story starts well, with her meeting a charming young man while visiting Charles and Jane Bingley.  However, despite the fact that they talk all the time, the two never really seem to talk.  At one point, it seemed to me that he had stated his intentions to court Georgiana pretty clearly to her brother, but then there are misunderstandings and everyone is spirited away and they never get to talk……. the book just never really engaged me and since I haven’t picked it up in a least three weeks, I don’t think it is ever going to.

Poodle Springs by Raymond Chandler and Robert B. Parker

//published 1989//

When Chandler died, he left four chapters written of his next Marlowe book.  In 1989, thirty years after Chandler’s death, Poodle Springs was finished by Robert Parker.  Overall, I thought that Parker did a decent job with this book, capturing the essence of Marlowe’s narrative voice and keeping the mystery nice and twisty.  The biggest difference to me was that in Chandler’s books, Marlowe is always one step ahead.  He may get caught and beaten up, but he still knows what’s what – he may appear to be wandering aimlessly, but in the end we find out exactly what he was up to.  But in Poodle Springs, it kind of felt Marlowe really was wandering aimlessly, always a few steps behind what’s going on.  In multiple places he says things like, ‘I wish I knew what was going on; none of this makes any sense.’  So Marlowe felt a lot more like a stooge than an intelligent investigator.

I enjoyed the book, even if I felt like the conclusion to Marlowe’s romance was quite weird and, frankly, illogical (‘We love each other too much to get married’???), and it ranked a solid 3/5 for me.

All in all, I’ve enjoyed my foray into the gritty detective world, but if I ever come back to these books, it will only be to the first four.  They were funnier and more engaging than the second half of the series.

Vertigo // by Pierre Boileau and Thomas Narcejac

//published 1954//

Despite the fact that I do love a good Hitchcock film, I’ve somehow never actually watched Vertigo – I think possibly because I don’t really care for heights myself, and my least favorite part of any movie is the bit where someone is up high and on the verge of falling.  Going into this book I knew genuinely nothing about the plot – and it turns out that it isn’t really all that much about falling off of something tall (although it does play a part)!

The writing in this story was excellent, and the pacing virtually perfect.  I found myself gradually sucked into the story, and the setting – France at the beginning of WWII – added a perfect level of tension in the background that really gave the story depth.  It wasn’t a story that was incredibly exciting, but I found myself compelled to keep reading nonetheless.  And when the ending was revealed, my mind was genuinely blown.  It was a conclusion that made completely and total sense – but that I would never have guessed.

It was interesting to read a book that was centered on a character who wasn’t really at all likable.  Flavieres is weak and rather sly, and the kind of person who always believes his troubles are because of circumstances beyond his control.  His growing obsession with Madeline was super creepy; I loved it.

Madeline’s story, the possibility that she is her ancestress come back to life, is done so well.  As the reader, you know this cannot be true.  Flavieres knows it cannot be true.  And yet – what other explanation can there be for the things happening to Madeline?  Brilliant.

The ending was completely satisfactory, although I felt like it was a bit rushed.  So much information all at once – and then it was over.  I found myself almost startled that I had reached the ending already.

One annoyance was that, despite the fact that this book was translated from its original French, for some reason the translators didn’t bother translating everything…???  So I would get something like this –

He had only to think of her to lose his sense of proportion.  La femme a la tulipe!

And while I’m pretty sure that that means ‘the woman with the tulip,’ I’ve never actually studied French, and many of the other phrases/words weren’t so obvious.  It was rather aggravating to have to stop and try to find a quick translation from time to time.  Like I got that a lot of those instances were when Flavieres was going off on a flowery ramble and was ‘titling’ a moment of Madeline’s life as though she was portrait, but it seemed like that could have been accomplished in English by using capital letters or italics or both – Woman With a Tulip!  Although maybe it’s because leaving it in French makes it sound much more poetic than our poor prosaic English…

Anyway, Vertigo was well worth the read, and it’s one that I may read again sometime now that I know the trick, to see if I can find the clues that I missed the first time around.

Special thanks to FictionFan, whose review of this classic inspired me to add it to the list!

Fatal Trust // by Todd M. Johnson

//published 2017//

A few times a year I request a review copy of a book from Bethany House Publishers.  Back in 2013, I received a copy of one of Johnson’s earlier books, Critical Reaction.  While it wasn’t a book that completely blew my mind, it was still a really engaging thriller, and one that I enjoyed enough to check out Johnson’s first book, The Deposit Slipwhich I actually liked even better than Critical Reaction.  So when I saw that Johnson was publishing another book, I knew that I definitely wanted to read it.  And, conveniently, Bethany House provided me with a copy to do just that!  So many thanks to the publisher, and also to Johnson for providing yet another well-paced and engaging thriller.

Ian Wells is an attorney in Minneapolis who is slowly getting his practice where he wants it.  His dad was an attorney also, and dealt in ‘boring’ things like wills, trusts, deeds, etc.  (Actually, I worked for a lawyer who did this kind of stuff and it is amazing how boring it all is, so I totally empathized with Ian’s feelings).  Ian has always wanted to go into criminal defense, but when his dad passed away he felt obligated to take over that practice.  Over the last few years he’s been shifting to criminal law, but in the meantime he has had a lot of financial setbacks.  His mom has Alzheimer’s and is getting to the point where she is going to need 24-hour care.  Several other very expensive problems are cropping up in Ian’s life all at once.

And then he gets the phone call: a man wants Ian to help with the conclusion of a twenty-year-old trust fund – Ian must determine whether or not three men qualify to receive their share of the trust money.  In exchange, Ian gets a huge payoff.  Ian feels like there has to be something sketchy going on, but he’s reaching a point of desperation.

Johnson does a GREAT job pacing this book.  I found myself drawn right in, and every baby step that Ian takes seems completely reasonable – until he suddenly realizes that he’s completely stranded in a complicated quagmire.  Ian’s financial issues are involved just enough to make the story believable without making them absurd – just enough to make Ian ignore his gut and keep going.  The tension ratchets up perfectly – at first I was just moderately interested in Ian and his life, but by about a third of the way into the book I could hardly put it down.

The romance in this book was at just about a perfect level – enough to provide some motivation for characters but not so much that it derailed the actual story.  Like Johnson’s earlier books, there was nothing overtly religious in the story, but it was devoid of bad language, sex, and graphic violence, all of which I really appreciate.

I was genuinely impressed by the way this whole story came together.  Small details that seemed irrelevant at the time end up tying together at the end.  While I thought I had a lot of the story figured out, there were some extra twists that I didn’t see coming, but that didn’t feel at all unreasonable.  Knowing the ending made me want to read the book again and see the clues that Johnson left, which (to me) is always the sign of a good thriller.

The only really weird thing about this book was that it was set in 2018.  I never understand why books do this, because Johnson’s 2018 looked exactly like real-life 2017.  And who knows what is going to happen in the next year that could make the 2018 dates seem really weird.  I mean, if I wrote a book in 2000 and set it in September 2001 and the book never mentioned 9/11, it would seem really strange.  So that kind of threw me off, even if it is a more or less minor thing to pick on.

All in all, 4/5 for a really well-paced and engaging story, and kudos to Johnson who has a 3/3 record for producing 4* reads for me to read.  :-D

August Minireviews – Part 1

So I find that I not-infrequently read books that I just feel rather “meh” about and they don’t seem worth writing an entire post about.  However, since I also use this blog as a sort of book-review diary, I like to at least say something.  So I’ve started a monthly post with minireviews of all those books that just didn’t get more than a few paragraphs of feelings from me.

The High Window by Raymond Chandler

//published 1942//

In this outing for PI Phillip Marlowe, the tough-talking-but-soft-hearted detective finds himself working for a rich but rather dreadful old widow.  Per usual, Marlowe is pulled into all sorts of shenanigans, most of which would seem unrelated to someone more optimistic than our hero.  The mystery in this one seemed stronger to me than the first few books, and I really enjoyed the story.  These books are pretty fast reads and I am finding them to be thoroughly engaging.  3.5/5.

Once Upon a Kiss by various authors

//published 2017//

This collection of short stories are all retellings of fairy tales by random YA authors.  I picked it up as a free Kindle book in hopes of maybe finding some new authors to check out.  However, none of the stories in this collection rated higher than a 3/5 for me, and some I didn’t even bother to finish.  To me, a short story should still have a coherent plot with a beginning, middle, and end, and some kind of driving force for the protagonists, but a lot of these stories just came across as ‘sample’ writing – a few stories literally just stopped and were like, ‘If you want to find out more about what happens next, be sure to check out my book!’ which annoyed me so much that I won’t be checking out their books.

Overall, not a complete waste of time, but almost.

The Cat Sitter Mystery by Carol Adorjan

//published 1973//

This is an old Scholastic Book Club book that I’ve had around for as long as I can remember.  I read this book when I was pretty little – it was possibly one of the first mysteries I ever read.  I was quite enthralled with the exciting and mysterious events surrounding Beth’s neighbor’s house!

Rereading as an adult, this story about a girl who moves into a new neighborhood and then ends up taking care of her eccentric neighbors’ cats, doesn’t really have a great deal of depth, but I still thoroughly enjoyed it.  Adorjan does a really great job of making the whole story plausible, and also setting up reasonable explanations for all of the shenanigans.  The side story about Beth trying to settle into her new neighborhood in the middle of summer is also done well.

My edition is fabulously illustrated by Beth and Joe Krush, who illustrated several other childhood favorites, like Magic Elizabeth and Miracles on Maple Hill.  They are probably most famous for their work with the original editions of The Borrowers and their sequels.  The Krush’s line drawings are just perfect, especially of the cats.

All in all, a comfortable 4/5 for this short children’s book, an old favorite that held up quite well to an adult reread.

The Story of Amelia Earhart by Adele de Leeuw

//published 1955//

Back in the 1950’s, Grosset & Dunlap published a series of children’s biographies called ‘Signature’ books – each one has a copy of the famous person’s signature on the front, and an illustrated timeline of ‘Great Events in the Life of…’ inside the front cover.  I really enjoy history books that are aimed at the middle school range because they usually hit all the high points without getting bogged down with a lot of details and political opinions.  It’s a great way to get a basic introduction to a person or event.  I’ve collected a lot of these Signature books over the years – they have those delightful cloth covers from the era and are just a perfect size to read.

That said, I wasn’t particularly impressed with this one.  While it was a fine read, de Leeuw’s choices about what random vignettes from Earhart’s life to include seemed really random.  For instance, an entire chapter is devoted to a random event in Earhart’s life involving a neighbor who treats his horse cruelly – and in the end, Earhart and her sister don’t actually get to rescue the horse – instead, it escapes and then dies leaping over a creek?!  It just felt incredibly random and didn’t really add any information about Earhart – it never came back as this big influential event or anything.  There were several other, smaller stories like that throughout, like de Leeuw had collected tons of tales and then just pulled out of a hat which ones to include.  It was definitely much choppier than other Signature books that I’ve read.

Still, Earhart had an amazing and fascinating life.  I really loved how so much of what she did wasn’t amazing because she was the first woman to do it – but just the first person.  I love biographies that emphasize a woman’s abilities, intelligence, and skills as those of a person instead of those as a woman.  No one is going to believe that women are just as capable as men if we constantly act like being a woman was a weakness they had to overcome.

All in all, this was a fun and interesting book.  I’m not particularly into aviation, but apparently Earhart herself wrote a couple of books – I’m especially interesting to check out her book 20 Hrs., 40 Min. about flying over the Atlantic – I’m curious to see how it compares to Charles Lindbergh’s account, which I ended up really enjoying a lot.

The Lady in the Lake by Raymond Chandler

//published 1943//

The fourth Phillip Marlowe felt a little darker than the first three.  Marlowe seems a little jaded, and while he still manages to make fun of many of the terrible people he meets (usually everyone he meets is pretty terrible), sometimes it felt a little serious, like Chandler genuinely was starting to think that everyone out there really is terrible.  There is also a rather gruesome scene when a body is found – not exactly graphic, but so well implied that it didn’t need to be in order to make me feel a little queasy (possibly because I was trying to eat a baloney sandwich at the time).

However, the mystery itself was, I felt, the strongest yet.  The reader has access to all the same information as Marlowe, and while I was able to connect some of the dots, I didn’t hit them all.  I really enjoyed watching everything come together, but the ending was just a bit too abrupt to feel completely satisfactory.

Still, a really great read, if a bit darker than the earlier fare.  3.5/5.