Home » Book Review » China Dolls

China Dolls



by Lisa See

Published 2014

So I’ve been reading a lot of books set in the first half of the twentieth century.  One of these days I’ll move past World War II in my (very very very slow) study of twentieth century history, but there is just so much about the world wars and the Roaring Twenties and the Great Depression, and I keep finding books that look so interesting from those decades so…….

I picked up China Dolls in hopes of reading about a different culture in the 1930’s leading into the war.  From the dust jacket:

San Francisco, 1938:  A world’s fair is preparing to open on Treasure Island, a war is brewing overseas, and the city is alive with possibilities.  Grace, Helen, and Ruby, three young women from very different backgrounds, meet by chance at the exclusive and glamorous Forbidden City nightclub.  Grace Lee, an American-born Chinese girl, has fled the Midwest with nothing but heartache, talent, and a pair of dancing shoes.  Helen Fong lives with her extended family in Chinatown, where her traditional parents insist that she guard her reputation like a piece of jade.  The stunning Ruby Tom challenges the boundaries of convention at every turn with her defiant attitude and no-holds-barred ambition.

The girls become fast friends, relying on one another through unexpected challenges and shifting fortunes.  When their dark secrets are exposed and the invisible thread of fate binds them even tighter, they find the strength and resilience to reach for their dreams.  But after the Japanese attack on Pearl Harbor, paranoia and suspicion threaten to destroy their lives, and a shocking act of betrayal changes everything.

The book is told in first person (thankfully past tense!), but the narrative is split between all three of the main characters.  For  me, this didn’t work for two reasons.  The first was that even though these three girls are very different in personality, goals, and background, their voices sound incredibly similar.  And I think the reason for that is my second reason for not liking the narrative style – all three are very reserved.  Usually, the point of a first-person narrative is that we get to hear the thoughts and ideas and prejudices and dreams of the narrator.  But See gives us very little of that.  I think that this book would have been much better written in third person.

A slightly spoilery reason is that someone in this book is not actually Chinese, but Japanese.  After Pearl Harbor, many Japanese were put into camps (a horrible blot on our history, and one I’ve been interested in learning more about since I read Concentration Camps USAand part of the reason I picked up this book to begin with), so when one of our three  narrators is betrayed, it’s a big deal.  We don’t know who the betrayer is, but one of the other narrators is blamed.  To me, this is a classic example – the tension of the book could have been much, much higher in third person.  As it is, we already know that the girl who has been accused isn’t the  betrayer, so the tension is gone.

None of these girls were particularly likable for me.  All three are rather ruthlessly ambitious, and the lack of personal thoughts means that, as a reader, I don’t really understand a lot of what drives them.  Plus, I’ve never been any kind of performer, so the intensity of the desire to be dancers is lost on me.

While there were interesting glimmers of American-Chinese culture, See also seems to assume, at some level, that we already know a lot of about what’s going on.  As someone who knows virtually nothing about this culture, I could have used a a few more explanations – but, once again, the first-person narrative prevents that from being a natural part of the story.

There’s also this whole weird love-triangle situation that seems pretty unnecessary and strange to me.  Because the boy involved is not Asian, I think we could have had plenty of drama by just focusing on how taboo it was for a “white” person be romantically involved with, well, anyone not considered white.

Overall, it felt like there were a lot of really intriguing cultural issues that could have been explored, but instead we ended up with a novel that basically could have been about three white girls, except for the part where one of them gets thrown into a concentration camp (and even that part of the story is really glossed over – I was hoping, since I was stuck listening to three narrators, that I would at least get some intriguing material of daily life inside the camp, but instead we basically don’t hear from that voice the entire time she’s in the camp so).

While this was a fine story, and I’m sure many people love it, I have found more and more that I rarely enjoy a book that has “A Novel” printed on the front.  They end up covering far too much time, with depressing undertones, little redemption, and not a lot of creativity or challenge.  China Dolls fit the basic novel-writing premise.  Instead of pursuing intriguing cultural differences and helping the reader to understand what it was like to be a Chinese (or Japanese) American leading into the war, we got a tired love triangle in impersonal first-person narration.  The story was meh and the character development weak, leaving me with a 2/5.

4 thoughts on “China Dolls

  1. I think you’ve pretty much summed up everything I dislike about first-person narratives there. While I’m not saying it never works, it takes a skilled writer to pull it off. And if the purpose isn’t to let us have a deep insight into the person’s thoughts and feelings, then what is it? I’ve also had the same problem with split narratives where all the characters basically speak with the same voice…

    Oh well, at least I’m not tempted to add this one to the heap…


  2. Per usual, it’s always most frustrating with a book you want to like/feel like could be amazing. This book just had so much potential with an author who (presumably) understands the culture, a time and place where SO MUCH was happening, and just an incredibly rich tapestry of background, and for me, the whole thing came off rather flat. There’s this big (SPOILER SPOILER SPOILER) reveal at the end – Ruby is actually Japanese, and was betrayed by *someone*. Everyone blames Grace, and Helen has told Ruby, for a fact, that Grace was the one who betrayed her (Ruby). But it feels completely surreal at every level, because Grace and Ruby continue to get along just fine. I’m like – sorry? If someone told me my BEST FRIEND had betrayed me and sent me to a concentration camp so she could my job and my man, not sure I’d just be able to shrug that off…????? AND THEN it turns out that it was actually HELEN who betrayed Ruby. This is at the VERY END of the book, and everyone is just like, “Oh, okay.” Ruby immediately forgives her, Grace forgives her, everyone just goes along. There was just zero tension regarding this. It was painfully obvious that Helen was the betrayer, and then, even when the characters found out, no one seemed to care…???? It was just a book that came off flat, and that flatness was really emphasized by the first person narrative. //end rant// :-D


  3. Pingback: Eagle & Crane // by Suzanne Rindell | The Aroma of Books

  4. Pingback: Eagle & Crane // by Suzanne Rindell | The Aroma of Books

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